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Type Navigator.The rapidly expanding online market for digital typefaces is exciting and diverse. With new fonts and type foundries launching on an almost daily basis, it has been difficult to keep track of notable developments—until now. Type Navigator is a useful current handbook of modern fonts, independent foundries, and innovative type designers that provides an overview of today’s vast market. This comprehensive publication offers a valuable overview of international sources for quality fonts. In addition to concise profiles of type foundries and recent typefaces, Type Navigator features inspirational visual examples of fonts in use. A free digital collection of 100 typeface variations from 20 choice foundries accompanies the 320-page book.Jan Middendorp.Release Date: September 2011

Type Navigator.

The rapidly expanding online market for digital typefaces is exciting and diverse. With new fonts and type foundries launching on an almost daily basis, it has been difficult to keep track of notable developments—until now. Type Navigator is a useful current handbook of modern fonts, independent foundries, and innovative type designers that provides an overview of today’s vast market.

This comprehensive publication offers a valuable overview of international sources for quality fonts. In addition to concise profiles of type foundries and recent typefaces, Type Navigator features inspirational visual examples of fonts in use. A free digital collection of 100 typeface variations from 20 choice foundries accompanies the 320-page book.

Jan Middendorp.
Release Date: September 2011

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The Oracle Station.

The Oracle Station transcodes a device’s incidental sound into text. Furthermore the Station also defines a particular device which is sensitive to the incidental sound of other devices. The Station allows a visitors device to affect the Oracle, the printer acts as a scribe to record the output of the Oracle. This station speculates on the possible futures we might have with our devices. The station provokes questions on the meaning of the residue of our devices ultimately driven by the question: If there is a hidden voice within our devices, what is it saying and who is it speaking to?

The Affection Research Lab has been created to develop Affection Stations and The Signal Archive. With the mission to become the seed of a device-affection development center and institution. ARL provides a counterpoint to today’s utilitarian computation culture and help to make affective computing more common. ARL fosters device-affection through the framework of the immaterial residuals and incidental sounds of our electronic devices, not through their surface features, determined outputs, or physical attributes.

The Stations are a collection of interactive experiences which listen and transcode a device’s unique incidental sound — electromagnetic radiation — exposing them to be more than just as tools, toys, or gizmos but sources of greater meaning.

Check out:
affectionstations.org
salvadororara.com

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Douglas D. Prince.

“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. 

I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment. Whether I’m working with the camera, in the darkroom, or on the computer, I’m looking for juxtapositions, relationships and transformations that create new perceptions, fostering an insight into the elementary nature of things.

I strive to make images where the ordinary is elevated to the extraordinary. I’m looking for things that I haven’t seen before.” By Douglas D. Prince

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Great colour combo. By wordboner

Great colour combo. By wordboner

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So true. Great site with great typography and quotes. By wordboner

So true. Great site with great typography and quotes. By wordboner

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Dinosaurs Full Throttle.

A encounter with a geriatric on a train results in an existential reflection on life. Continuous poignant prose, jump cut together to remove a sense of time, realising and meditating on life. A dark comedic revelation behind the cause for his journey, exposing his deep embarrassing secret…

By Tom Beard

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Welcome to the Anthropocene.

This is the animation done by Globaïa for the short film ‘Welcome to the Anthropocene’ commissionned for the Planet Under Pressure conference.

Watch the narrated version here: vimeo.com/anthropocene/shortfilm
More on the project here: anthropocene.info

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Ruined Polaroids.

“These are Polaroid pictures run through a partially broken SX-70 camera that I purchased from a yard sale. The camera sometimes spills out 2 pictures at a time and the film often gets stuck in the gears, exposing and mangling the images in unpredictable ways.

Over time I’ve figured out how to control and accentuate aspects of the camera’s flaws but the images themselves are always a surprise. Each one is determined by the idiosyncrasies of the film and the camera.” By William Miller

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Micro Empire.

Moving on from Macro Kingdom, we pass through the portal of a microscope to venture into the Micro Empire … surrounding us … inhabiting us …

Stranger than fiction… molecular conflict and mitochondrial warfare … a heartstopping, subcellular epic … a truly microcinematic experience …

“as an enthusiast for little things, I wanted to go deeper than the macro universe, so I found myself hanging on the eyepiece of a microscope. The real challenge was definitely the small depth of field in microscopy. It’s really fascinating how detailed this tiny world is, and unbelievable how much is going on in only one little water drop.”

Credits:
Video: Clemens Wirth ~ Clemento
Audio: Radium Audio ~ radium-audio.com

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God Knox.

“GOD KNOX is my gentle, fart-like blitz of a myth revolving around the creation of divinities. It begins with a zesty summoning ritual betwixt several tranny shamans and ends with a personal nirvana. After becoming increasingly dissatisfied with the 2D jigsaw flatness of my previous work, I intended this project to feature more three-dimensional environments and slightly more protracted pacing.

This new emphasis allowed me to dwell on compositions and apply more new techniques than ever before. I must declare that I am tempted to disown, mutilate, hambone, and honor kill most of my previous video work due to the healthily robust quality of the mental boner induced by my buxom new video animal, but I will resist that urge as long as infanticide strikes me as distasteful. Please enjoy and spread my sweet beast to the farthest corners of this diseased multiverse so that it may heave and splinter towards something approximating infinity. By Kokofreakbean

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Free Dive.

Beautiful photo series by Kanoa Zimmerman, free dive.
Captures the essence of its subject in a purely serene way. By Kanoa Zimmerman

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Selfsurfing.Jonas Lund is launching his work Selfsurfing  a Chrome extension that creates a self-surfing, auto-updating clone of my browser in real time,” with a 24 hour period of online browsing for you to watch. Lund’s “browser has a server extension installed which transmits the current state of his’ browser to a intermediate server, which holds all relevant information.

Selfsurfing.

Jonas Lund is launching his work Selfsurfing 
a Chrome extension that creates a self-surfing, auto-updating clone of my browser in real time,” with a 24 hour period of online browsing for you to watch. Lund’s “browser has a server extension installed which transmits the current state of his’ browser to a intermediate server, which holds all relevant information.

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Plexus No3 Gabriel Dawe.

“Citing Anish Kapoor as a major influence, Dawe creates complex and often vertigo inducing spatial structures, which direct the viewer through space. Accordingly, they emulate the invisible forces which shape our existence; the social norms, rules and expectations which determine who we are. In this, Dawe references theorist Michel Foucault’s notion of biopolitical structures of power, which are used to control the individual. However, whilst for Foucault such structures were overwhelmingly malign, Dawe sees them more ambiguously.

As with architecture and clothing, which Dawe’s installations evoke, they can control and limit, but also protect and support. In giving visual expression to these webs of forces, the artist alludes to evolutionary theory, microscopic imagery and the patterns inherent in nature, drawing our attention to the ‘invisible order amidst the chaos of life.’ This stunning installation makes the intangible visible, giving form to structures which exist at the very edges of our comprehension.” Check out more from Gabriel Dawe

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Alejandro Almanza Pereda.

Alejandro Almanza Pereda’s body of work comprises sculptures, drawings, installations, photographs and prints. The Mexican artist’s research is primarily focused on the field of equilibrium and precarious forces, bringing life to an allegory of our society and that which we perceive to be certain.

The objects he is most interested in are those found in daily life: forms, interior decorations, furnishings, and many other common tools. Through his precarious installations he takes away the presumed function of the chosen object, instead transforming it into a mere aesthetic whim.

Always maintaining a site-specific attention to places and contexts, the artist is able to create humorous and, at the same time, prickly critiques of human self assurance, showing us the superfluous and comic aspect of our beliefs.

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